Vadis Turner, Black Nest, 2016, satin ribbon, bed sheets, acrylic resin and mixed media, 16 x 12 x 3 inches © Vadis Turner

 

FemiNest
February 24 – March 25, 2017
Natalie Frank • Karen Lee Williams • Michele Oka Doner • Barbara Segal • Page Turner • Vadis Turner

Curated by Melinda Wang + Heather Zises

Opening Reception: Friday, February 24, 6-8pm
Dates: February 24 – March 25, 2017
Location:
Equity Gallery, 245 Broome Street, NY, NY 10002
Gallery Hours: Wed – Sat, 12-6pm, and by appointment

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Press

Writing Without Paper
“Catching Up with Artist Watch Artists 5,” 3/23/17

Antecedent Projects
Audra Lambert, “Material and Process Exalted at Equity Gallery’s FemiNest, Curated by Melinda Wang + Heather Zises,” 3/17/17

ArtNet News
Sarbani Ghosh, “13 Feminist Art Shows to See In Honor of Women’s History Month,” 3/6/17

The Roanoke Times
Mike Allen, “Cornershot: Roanoke artist’s works featured in New York group show,” 2/26/17

Art Zealous
Meng-Chieh Monica Lu, “This Week in the Art World: February 20th – February 26th,” 2/21/17

Art F City
Michael Anthony Farley, “This Week’s Must-See Art Events: Happy Not-My-President’s Day,” 2/20/17

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FOR IMMEDIATE RELEASE
For inquiries please contact: info@nyartistsequity.org
For additional information please visit: http://www.nyartistsequity.org/feminest/

Equity Gallery is pleased to announce FemiNest, a group exhibition featuring the works of Natalie Frank, Karen Lee Williams, Michele Oka Doner, Barbara Segal, Page Turner and Vadis Turner. The exhibition will be on view from February 24 through March 25, 2017, with a public opening reception on February 24, 6-8pm.

In celebration of Women’s History Month, FemiNest advocates and explores new spaces and places for women in the home, society, culture and politics.  Through a variety of mediums, each artist investigates the concept of a nest – both figuratively and abstractly. Themes include gender-specific production and consumption, physical and emotional protection, spirituality, social behaviors inside and out of the domestic landscape, and the void in which cultural palimpsests continue to rewrite history.

Natalie Frank addresses social and sexual enactments of power, primarily using the female form. Through unabashed brushstrokes and slashes of vibrant color, Frank’s surrealistic dreamscapes disrupt the sacred space of the home and psyche, alluding to the cracked lens through which we view feminism, gender and equality.

Working mostly in sculpture and photography, Karen Lee Williams explores the space where logic and intuition press up against each other. In her new series “Maws”, Lee Williams draws upon ideas of a greedy, gaping hole in our cultural landscape after the 2016 Presidential Election. Soft, yet burdened and warped, these sculptural portals are both a representation and reclamation of that void and power.

Michele Oka Doner’s work is fueled by a lifelong study and appreciation of the natural world. Spanning a career of over five decades, the breadth of her artistic production encompasses sculpture, furniture, jewelry, public art, functional objects, video, artist books and costume and set design. A firm believer that “She is everywhere” – the concept of women being omnipresent despite glass ceilings and institutional limitations – Oka Doner’s bronze objects and porcelain dolls serve as protectors of the divine feminine.

For 40 years, celebrated sculptor and master stone carver Barbara Segal has been creating pop and fashion icons in rare and exquisite stones. With a keen eye for Renaissance and Baroque masterpieces, Segal explores society’s long-standing obsession with status symbols, conspicuous consumption and declarations of power. “Black Swan” – with its slick, black marble surface and tantalizing form – both embraces and emphasizes society’s ideals of female sexuality.

Page Turner collects items of deep personal meaning to create delicate objects that honor the feminine, as well as the desires, experiences and roles of women. Using found objects like furniture, wood, wheels, shells, fabric and bone, her sculptural works are informed by traditional hand-working skills that have been passed down through generations, and are bolstered by spiritual aspects of Mormon Thought and Sisterhood.

Vadis Turner synthesizes the practice of painting with repurposed textiles. Using colorful skeins of upcycled ribbon, clothing and fabric, her unconventional paintings engage gender roles and handicrafts in a contemporary context. Through “domestic” techniques like sewing and tying, Turner tightens her focus on contemporary feminism by weaving in narratives of motherhood, heirlooms and rebirth into her sculptural compositions.

With a shared emphasis on materiality, culture and history, each of the artists contributes an important component to the contemporary nest; one that has been manufactured and assembled by 21st century women.

About Artists Equity and Equity Gallery
New York Artists Equity Association, Inc. is a 501(c)(3) non-profit organization founded in 1947 by artists and art patrons with the mission to promote opportunities for artists. It operates Equity Gallery, an art space located on the Lower East Side of New York City. It simultaneously serves as a gallery for artists to exhibit and sell their work; a hub for professional workshops and innovative programming exploring critical issues of interest to artists and curators; and a gathering place for artists, curators and patrons. For more information, please visit www.nyartistsequity.org.